![]() You can send 2 seperate CCs with a single hit, although the strange thing about this is that you NEED to use both of these at once in order to activate/deactivate Amplitube’s stomp boxes and effects. Phew!Īnyway, Amplitube uses CCs, and it’s not too hard to activate them on the pedal. That’s 5 program changes, 2 CCs, 2 sets of Expression Data (via the two pedals), and a note on event, if one so wished. ![]() This, if you own one, you will soon realise is where the FCB1010 excels and confuses all at once – it takes a good read (or in my case about 5) to fully digest the manual, but basically in short form the FCB1010 can send out 10 MIDI messages at once. The other side of things is making sure the FCB1010 is actually sending out CCs at all – by default each pedal only sends out a program change command. Providing you already have Amplitube assigned to either an audio track or aux insert, it should appear as a MIDI control option in your MIDI track output setttings. The answer was deceptively simple, and maybe obvious to some – in Cubase at least, you need to set up a MIDI track with the correct input from the pedal and MIDI channel assigned. This presented some other problems as I was having trouble getting MIDI into the program at all in plugin mode. However, one desire with this was to run it as a VST/RTAS within a DAW. Thankfully Amplitube 3.7 no longer requires X-Gear, so I could simply control it from within the main program. Probably the most helpful chap was on the following video showing the way he’s set it up with X-Gear – Hence I’m currently up at nearly 5am, popping my results thus far onto my blog įirstly, there wasn’t a huge wealth of information immediately available on Amplitube and the Behringer in conjunction. I’d been having a bit of a mess on with these two – whereas Guitar Rig seemed to instantly understand my new Behringer foot pedal’s MIDI commands as program changes, Amplitube appears to be using CC’s.
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